1st meeting

16 | 19 DECEMBER 2012, ROME, ITALY.

FIRST WORKSHOP CONDUCTED BY MS. LILIA LYTRA, ARTISTIC DIRECTOR OF DRAMA GROUP “MACHINA” FROM THESSALONIKI, GREECE.

Link to the text of The Migrant’s Departure

Link to the program of the meeting

Link to the EURPOL Rome workshop report

 

WORKSHOP PROGRAM

SUNDAY 16 DECEMBER 2012

10:30 – 11:00 Introduction to Ancient Greek Tragedy, Chorus of Tragedy and text’s interpretation technique.
11:00 – 12:00 Presentation of work plan that consists of fragments of one comedy and six tragedies and has title “Chorus in Ancient Greek Drama”.
12:00 – 13:00 Introduction on individual elements of Tragedy and specifically on the elements of the specific performance (scenery, costumes, masks, music)
13:00 – 14:00 Lunch break
14:00 – 15:00 Laboratory: Theatre games and exercises
15:00 – 16:30 Dionysia and Chorus. Genesis of drama (comedy, tragedy, satirical drama).

MONDAY 17 DECEMBER 2012

Work on choral parts of one comedy and three tragedies
10:30 – 11:00 Laboratory: Lexis (:speech) uttering
11:00 – 12:00 Laboratory: Chorals’ melos (:melody)
12:00 – 13:00 Laboratory: Chorals’ movement
13:00 – 14:00 Lunch break
14:00 – 16:30 Laboratory: Chorals’ opsis (spectacle, e.g. costumes and masks)

TUESDAY 18 DECEMBER 2012

Work on choral parts of the rest three tragedies.
10:30 – 11:00 Laboratory: Lexis (:speech) uttering
11:00 – 12:00 Laboratory: Chorals’ melos (:melody)
12:00 – 13:00 Laboratory: Chorals’ movement
13:00 – 14:00 Lunch break
14:00 – 16:30 Laboratory: Chorals’ opsis (spectacle, e.g. costumes and masks)

WEDNESDAY 19 DECEMBER 2012

10:30 – 11:30 Synthesis of final presentation/ performance with title “The Immigrant’s Departure”
11:30 – 13:30 General rehearsal
20:00 – 21:00 Preparation of stage and actors for the performance
21:00 – 22:00 Performance “The Immigrant’s Departure”- open to the public / free admission

 

DIRECTOR’S NOTE

DSC05748

The Ancient Greek Drama (Tragedy, Comedy, Satyrical Drama) is entechno, eponymous drama – understandable by all. Every spectator interprets and comprehends the text and its representation according to their personal criteria, aesthetic and spiritually.The genetic material is in Chorus.Chorus exists and acts everywhere. We all are Chorus, with our body posture, voice, gaze and speech. Chorus that continuously lives through us. Because every era has their sovereign problems. Many of them diachronically. Among them the migration, the recourse, the exile.

31 March, 2013